Michael DAUGHERTY (b.1954)
Philadelphia Stories; UFO
Colorado Symphony Orchestra
Marin Alsop
Philadelphia Stories; UFO
Colorado Symphony Orchestra
Marin Alsop
Evelyn Glennie (Percussion)
Naxos’ American Classics series stages something of a coup: world famous percussionist Evelyn Glennie performs on an exciting disc of music by one of America’s leading living composers. Gramophone Artist of the Year Marin Alsop directs the Colorado Symphony Orchestra in stunning performances and to crown the release, Daugherty himself writes the fascinating sleeve notes. The London Times has described Michael Daugherty as "a master icon-maker" and hailed his "maverick imagination, fearless structural sense and meticulous ear." His music has the uncanny knack of speaking everybody’s language at once while retaining the ability to surprise, move, stimulate, inspire and amuse. Commissioned by the Philadelphia Orchestra in 2001, Philadelphia Stories is an orchestral travelogue of the sounds and rhythms of Philadelphia past and present. Cast in three movements: the first begins at sundown, the second, a Poe-inspired movement entitled Tell-Tale Harp after midnight, and the third at sunrise. UFO, written in 1999 for Evelyn Glennie, is inspired by unidentified flying objects and sounds, beginning with Traveling Music where the percussion soloist, in the guise of an alien from outer space, mysteriously enters the concert hall playing a waterphone and mechanical siren.
In its continuing exploration of American music and lesser-known U.S. orchestras, the budget label Naxos has given us one of its most provocative and innovative recordings to date. Michael Daugherty, the man behind the "Superman"-inspired "Metropolis Symphony", gives us two innovative works, "Philadelphia Stories" and the futuristic "UFO", a concerto for percussion and orchestra.
"Philadelphia Stories" is the composer's three-movement tone painting of the City of Brotherly Love, focusing in on aspects of street life ("Sundown On South Street"), the terror of Edgar Allan Poe ("The Tell-Tale Heart"), and the legacy of Leopold Stokowski ("Bells For Stokowski"). In this last movement, Daugherty imagines all the bells tolling in Philadelphia as the often-controversial conductor who put the Philadelphia Orchestra on the world map makes a visit to the Liberty Bell.
"UFO" shows off the impressive abilities of Scottish-born percussion maestra Evelyn Glennie in this concerto inspired, of course, by sightings of alien spacecraft in the night skies of Earth that have been reported since the Roswell incident of 1947. The piece is hugely reminiscent in sound and size of John Williams' score for Spielberg's 1977 sci-fi masterpiece CLOSE ENCOUNTERS OF THE THIRD KIND, a trait that may or may not be intentional, but a trait that works quite well. Glennie's percussion abilities are second-to-none here.
Both works are bought together by the Colorado Symphony Orchestra under the inspired leadership of music director Marin Alsop, one of a handful of female conductors to lead an orchestra in major recordings. The Naxos sound technicians give her, Glennie, and the Colorado Symphony a first-rate sound on a relatively meager budget, resulting in an incredibly fascinating recording that is quite simply one of the best in 2004 insofar as classical music goes. Highly recommended!
Naxos’ American Classics series stages something of a coup: world famous percussionist Evelyn Glennie performs on an exciting disc of music by one of America’s leading living composers. Gramophone Artist of the Year Marin Alsop directs the Colorado Symphony Orchestra in stunning performances and to crown the release, Daugherty himself writes the fascinating sleeve notes. The London Times has described Michael Daugherty as "a master icon-maker" and hailed his "maverick imagination, fearless structural sense and meticulous ear." His music has the uncanny knack of speaking everybody’s language at once while retaining the ability to surprise, move, stimulate, inspire and amuse. Commissioned by the Philadelphia Orchestra in 2001, Philadelphia Stories is an orchestral travelogue of the sounds and rhythms of Philadelphia past and present. Cast in three movements: the first begins at sundown, the second, a Poe-inspired movement entitled Tell-Tale Harp after midnight, and the third at sunrise. UFO, written in 1999 for Evelyn Glennie, is inspired by unidentified flying objects and sounds, beginning with Traveling Music where the percussion soloist, in the guise of an alien from outer space, mysteriously enters the concert hall playing a waterphone and mechanical siren.
In its continuing exploration of American music and lesser-known U.S. orchestras, the budget label Naxos has given us one of its most provocative and innovative recordings to date. Michael Daugherty, the man behind the "Superman"-inspired "Metropolis Symphony", gives us two innovative works, "Philadelphia Stories" and the futuristic "UFO", a concerto for percussion and orchestra.
"Philadelphia Stories" is the composer's three-movement tone painting of the City of Brotherly Love, focusing in on aspects of street life ("Sundown On South Street"), the terror of Edgar Allan Poe ("The Tell-Tale Heart"), and the legacy of Leopold Stokowski ("Bells For Stokowski"). In this last movement, Daugherty imagines all the bells tolling in Philadelphia as the often-controversial conductor who put the Philadelphia Orchestra on the world map makes a visit to the Liberty Bell.
"UFO" shows off the impressive abilities of Scottish-born percussion maestra Evelyn Glennie in this concerto inspired, of course, by sightings of alien spacecraft in the night skies of Earth that have been reported since the Roswell incident of 1947. The piece is hugely reminiscent in sound and size of John Williams' score for Spielberg's 1977 sci-fi masterpiece CLOSE ENCOUNTERS OF THE THIRD KIND, a trait that may or may not be intentional, but a trait that works quite well. Glennie's percussion abilities are second-to-none here.
Both works are bought together by the Colorado Symphony Orchestra under the inspired leadership of music director Marin Alsop, one of a handful of female conductors to lead an orchestra in major recordings. The Naxos sound technicians give her, Glennie, and the Colorado Symphony a first-rate sound on a relatively meager budget, resulting in an incredibly fascinating recording that is quite simply one of the best in 2004 insofar as classical music goes. Highly recommended!
6 comments:
Gracias!
hi can you re up please. many thx Alan
New link:
https://nitroflare.com/view/E34B1BDEEF13B44/DaughPhiladeStories.rar
many many thanks :)
Thank you very much :)
Post a Comment