THIS IS ANOTHER GENEROUS COLLABORATION FROM DAFFY!!
Fernando Sor
Complete Fantaisies (3CDs)
Luis Orlandini (Guitar)
FERNANDO SOR (1778-1839)
by Andrew Daly.
There was a time, (25-30 year’s ago) that a Classical Guitar recital would seem incomplete without the inclusion of a work by Fernando Sor. Today it is rare for him to be included in a concert programme.
It must be said that his other works , Operas, Ballets, etc., have been silent since his death, and today his reputation rests solely as a composer of guitar music. It cannot be that today’s new generation of young guitarists find his pieces unworthy, as his contribution to the literature of the guitar is undeniable, (the critic Fetis adorned Sor with the title “The Beethoven of the Guitar”). He is acknowledged in the development of technique for the instrument and his collaboration with makers improved guitar construction. In the history of the guitar his name is assured. So why is it that today’s modern players neglect his music in the concert hall?
Present day critics may be responsible for the decline of Sor's exposure to the concert-going public by accusing him of being lightweight, of trying to inject a depth in his music that in the end only made it sound ludicrous, that he was guilty of clichés, (more eminent composers than Sor were guilty of that) and that he was unable to produce extended compositions of distinction. It may be this that dissuades the young guitarists of today from performing his work, so as not to invite negative critical reviews, but, nevertheless, I have always found Fernando Sor`s music (lightweight, clichés and all) pleasing, satisfying and always a delight.
_____________________
About Luis Orlandini
Luis Orlandini was born in Santiago of Chile, studied at the School of Arts of Universidad de Chile with Professor Ernesto Quezada and later on received a scholarship from the German Government to study with Eliot Fisk at the Upper School of Music in Cologne, Germany. He also took a course at Mozarteum of Salzburgo, Austria. At the present time, besides his career of Concert Guitar Player, he is a Professor at the School of Arts of Universidad de Chile and Professor at the Pontificia Universidad Católica de Chile.
In 1989, he received First Award at the International Contest of Music in München, Germany. Since then, he has been performing in well known Concert Halls in Berlin (Philharmonic), Cologne, Rome, Venice (La Fenice Theater), Paris, Madrid (Centro de Artes Reina Sofía), Rotterdam (De Doelen), Danzig, München (Herkules Saal), Geneva, Moscow (Tchaikowsky Conservatory), Tokyo, Houston, London (Wigmore May, Purcell Room, St. Martin in the Fields), La Habana (Teatro Amadeo Roldan), Montevideo, Buenos Aires (Teatro Colon), Lima, etc. Likewise with orchestras in Chile, Peru, Argentina, Uruguay, Ecuador, Venezuela, Cuba, Poland, Check Republic, Germany, Italy and Spain with Directors such as Klaus Arp, Adrian Leaper, David Del Pino Klinge, Maximiano Valdes, Juan Pablo Izquierdo, etc.
He has recorded for many radios in Germany and for Record Companies such as Discos Koch Schwann (Music of Joaquin Rodrigo for Guitar and Latin American Music together with Alfredo Mendieta, a flute player), CPO (Complete Cycles of Rossinianas by Mauro Giuliani and Fantasies by Fernando Sor) and for ARTE NOVA the Concert of Aranjuez by J. Rodrigo together with the Philharmonic of Gran Canary (Spain). In Chile he has recorded for SVR seal as soloist, in Guitar duet with Oscar Ohlsen, with the “Cuarteto de Guitarras of Chile” and with the Chilean Symphonic Orchestra.
He has presented many musical works created by Chilean Composers, some of them requested by him, and he is also in charge of a Series of Scores Edition for Guitar by Chilean Composers at the School of Arts of Universidad de Chile. He has performed with artists from different countries, has been a member of the jury in several International Contests of Musical Interpretation and he has also been a guest at different Musical Festivals in several countries around the world.
In 1996, he received the Critique Award from the Circulo de Criticos de Arte, and the trajectory prize from the Sociedad Chilena del Derecho de Autor (SCD). In 1999, he received the “Domingo Santa Cruz” Award from the Chilean Academy of Fine Arts and in 2007, the President of the Republic Award given by the Government of Chile. In the year 2008, he was elected Member of the Academy of Fine Arts of the Institute of Chile for his contribution to the culture of the country in Musical Arts.
At the present time, he continues his career of Guitar Performer. In the last seasons, he has performed in several Concert Tours in Europe and America, and has given Master classes at important Seminars and Festivals. His last CD’s includes SIMPAY, Chamber Music with Guitar, Concert for Guitar and Orchestra by Alfonso Letelier together with the Symphonic Orchestra of Chile, the Suites for Lute by Johann Sebastian Bach (SVR Seal, Chile), “Grande Duo Concertante” together with Pianist Beatrice Berthold (Solo Musica Seal, Germany), Concert for Guitar and Orchestra by Celso Garrido-Lecca, together with the Symphonic Orchestra of Chile (Sello Autor, Spain) and a CD together with Guitarist Romilio Orellana (SVR,Chile).
Complete Fantaisies (3CDs)
Luis Orlandini (Guitar)
FERNANDO SOR (1778-1839)
by Andrew Daly.
There was a time, (25-30 year’s ago) that a Classical Guitar recital would seem incomplete without the inclusion of a work by Fernando Sor. Today it is rare for him to be included in a concert programme.
It must be said that his other works , Operas, Ballets, etc., have been silent since his death, and today his reputation rests solely as a composer of guitar music. It cannot be that today’s new generation of young guitarists find his pieces unworthy, as his contribution to the literature of the guitar is undeniable, (the critic Fetis adorned Sor with the title “The Beethoven of the Guitar”). He is acknowledged in the development of technique for the instrument and his collaboration with makers improved guitar construction. In the history of the guitar his name is assured. So why is it that today’s modern players neglect his music in the concert hall?
Present day critics may be responsible for the decline of Sor's exposure to the concert-going public by accusing him of being lightweight, of trying to inject a depth in his music that in the end only made it sound ludicrous, that he was guilty of clichés, (more eminent composers than Sor were guilty of that) and that he was unable to produce extended compositions of distinction. It may be this that dissuades the young guitarists of today from performing his work, so as not to invite negative critical reviews, but, nevertheless, I have always found Fernando Sor`s music (lightweight, clichés and all) pleasing, satisfying and always a delight.
_____________________
About Luis Orlandini
Luis Orlandini was born in Santiago of Chile, studied at the School of Arts of Universidad de Chile with Professor Ernesto Quezada and later on received a scholarship from the German Government to study with Eliot Fisk at the Upper School of Music in Cologne, Germany. He also took a course at Mozarteum of Salzburgo, Austria. At the present time, besides his career of Concert Guitar Player, he is a Professor at the School of Arts of Universidad de Chile and Professor at the Pontificia Universidad Católica de Chile.
In 1989, he received First Award at the International Contest of Music in München, Germany. Since then, he has been performing in well known Concert Halls in Berlin (Philharmonic), Cologne, Rome, Venice (La Fenice Theater), Paris, Madrid (Centro de Artes Reina Sofía), Rotterdam (De Doelen), Danzig, München (Herkules Saal), Geneva, Moscow (Tchaikowsky Conservatory), Tokyo, Houston, London (Wigmore May, Purcell Room, St. Martin in the Fields), La Habana (Teatro Amadeo Roldan), Montevideo, Buenos Aires (Teatro Colon), Lima, etc. Likewise with orchestras in Chile, Peru, Argentina, Uruguay, Ecuador, Venezuela, Cuba, Poland, Check Republic, Germany, Italy and Spain with Directors such as Klaus Arp, Adrian Leaper, David Del Pino Klinge, Maximiano Valdes, Juan Pablo Izquierdo, etc.
He has recorded for many radios in Germany and for Record Companies such as Discos Koch Schwann (Music of Joaquin Rodrigo for Guitar and Latin American Music together with Alfredo Mendieta, a flute player), CPO (Complete Cycles of Rossinianas by Mauro Giuliani and Fantasies by Fernando Sor) and for ARTE NOVA the Concert of Aranjuez by J. Rodrigo together with the Philharmonic of Gran Canary (Spain). In Chile he has recorded for SVR seal as soloist, in Guitar duet with Oscar Ohlsen, with the “Cuarteto de Guitarras of Chile” and with the Chilean Symphonic Orchestra.
He has presented many musical works created by Chilean Composers, some of them requested by him, and he is also in charge of a Series of Scores Edition for Guitar by Chilean Composers at the School of Arts of Universidad de Chile. He has performed with artists from different countries, has been a member of the jury in several International Contests of Musical Interpretation and he has also been a guest at different Musical Festivals in several countries around the world.
In 1996, he received the Critique Award from the Circulo de Criticos de Arte, and the trajectory prize from the Sociedad Chilena del Derecho de Autor (SCD). In 1999, he received the “Domingo Santa Cruz” Award from the Chilean Academy of Fine Arts and in 2007, the President of the Republic Award given by the Government of Chile. In the year 2008, he was elected Member of the Academy of Fine Arts of the Institute of Chile for his contribution to the culture of the country in Musical Arts.
At the present time, he continues his career of Guitar Performer. In the last seasons, he has performed in several Concert Tours in Europe and America, and has given Master classes at important Seminars and Festivals. His last CD’s includes SIMPAY, Chamber Music with Guitar, Concert for Guitar and Orchestra by Alfonso Letelier together with the Symphonic Orchestra of Chile, the Suites for Lute by Johann Sebastian Bach (SVR Seal, Chile), “Grande Duo Concertante” together with Pianist Beatrice Berthold (Solo Musica Seal, Germany), Concert for Guitar and Orchestra by Celso Garrido-Lecca, together with the Symphonic Orchestra of Chile (Sello Autor, Spain) and a CD together with Guitarist Romilio Orellana (SVR,Chile).
19 comments:
http://www.embedupload.com/?d=9HD4EAFJKW
http://www.embedupload.com/?d=5JFTWVGTDF
Both parts must be downloaded before urar!!!
All thanks to Daffy!!!!
Obrigado Horatio.
Obrigado também a Daffy.
Gracias por este regalo. He escuchado muchas selecciones de las fantasías de Sor, pero poder escucharlas completas es un placer que os debo
When You can You Reupload This excellent collection..Thanks
Reupload please when able..
New Link:
Part 1:
https://mega.co.nz/#!gBF1FKhQ!Omim9tZsAg8l9XeQjGZ9Ff2flFYQyDpdQm5vsvmQgoQ
Part 2:
https://mega.co.nz/#!9c9DVD5Y!0ggBKKIdxORJB_5-godVZBwv3T2jtopCptvRZU0ft8A
Gracias..
Por algún motivo, no puedo abrir los archivos RAR.
Fijate si la descarga de los 2 archivos esta completa, intenta descargarlos nuevamente,
Ahora sí, gracias.
Muchas gracias a la guitarra clásica, el Sr. Horacio.
Excelente colección.
Nos tratan con una nueva colección.
Muito OBRIGADO mais uma vez! O 2º Link nao funciona. Pode repo lo? Obrigado!
New Link 2:
http://bitshare.com/files/vmal7mo6/FerSorFanta.part2.rar.html
new links
http://www.embedupload.com/?d=5BYAURERSR
http://www.embedupload.com/?d=5JEIEUZDAF
http://www.embedupload.com/?d=20QBM4ERCZ
Could you please re-up this? Thanks!!
Mega links are OK:
https://mega.nz/#!gBF1FKhQ!Omim9tZsAg8l9XeQjGZ9Ff2flFYQyDpdQm5vsvmQgoQ
https://mega.nz/#!9c9DVD5Y!0ggBKKIdxORJB_5-godVZBwv3T2jtopCptvRZU0ft8A
Enjoy!
Thank you very much!!!
Thanks to MEGA, this material is still downloadable after almost six(!) years. There are many collections of Sor's sonatas around but as a collection of fantasias it seems to be quite unique. Also, it shows the development of Sor's skills through chronological order. Indeed, the first sonata sounded almost dull to me and I wondered if it's the composer or the guitarist.
But then eventually the music takes off, and you realize how good a guitarist Orlandini was, and how Sor himself developed, culminating in the great Fantasia op. 59.
It also makes you think about how many great classical guitarists are around, and with this instrument and repertoire, only very few have the chance to get really famous (like Williams or Barrueco or Yepes). I guess you either have to be very good at self-promotion or lucky enough that a major label picks you up.
Orlandini is certainly excellent.
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